Within a few verses the Wife tells us that her story will be about her personal experiences and marriages—all five of them:
That marriage is a misery and a woe;
For let me say, if I may make so bold,
My lords, since I was but twelve years old,
Thanks be to God Eternal evermore,
Five husbands have I had the church door;
As I read the poem-story, nothing to me is more delightful than to visualize the woman’s visage:
Yes, I’m gap-toothed; it suits me well I feel,
It is the print of Venus and seal,
So help me God I was a lusty one
Fair, young, and well-to-do, and full of fun!
Isn’t this the picture of a lively character? Not only is she young, fair, rich, full of fun, but also well-to-do. And if we add an appropriate dress we can complete the picture: “And always wore my gayest scarlet dress.”
Under no circumstance should we interpret Dame Alice as an early feminist as we understand the term today: someone who advocates the social, political, and economic equality of the sexes. Of course the feminist movement has spawned many other more radical stances, but the core belief will suffice: feminists want equality.
Yet, throughout the prologue we see that the Wife doesn’t really want equality but woman’s supremacy. Today she could be called sexist.
Likewise, in the actual tale, the queen sends the offending knight in a quest to find the answer to the questions of the ages: “What is the thing that women most desire?” To save his life, the knight must return with the right answer in a twelvemonth and a day’s time. And the correct answer he submits turns out to be that what women most desire is the supremacy of woman over man:
‘A woman wants the self-same sovereignty
Over her husband as over her lover,
And master him; he must not be above her …’
When novelist Alice Walker coined the term ‘Womanist prose’ she meant to highlight the plight of the African American woman, whose condition was different from the constraints suffered by white feminists. Womanism has of late come to mean a benign sisterhood free from ill will to men.
But the Wife of Bath if full of ill will towards her five husbands. Womanism isn’t applicable here, for not only is she jealous, but she is also vindictive and cruel:
I told you how it filled my heart with spite
To see another woman his delight,
By God on earth I was his purgatory.
How many were the ways I tortured him,
And when she buries her fourth husband, at the very same funeral, she flirts with Johnny —the handsome former Oxford student— and wins him to become her fifth husband. And just like she did with the previous husbands, she strips them of their manhood, house, land, and wealth.
Unsatisfied, ribald, and lascivious, Dame Alice seeks pleasure in and outside marriage. In this context we can say that the neofeminist paradigm fits her well: “love me for my body—not my mind.” This man-hungry model fits her well since throughout her narrative she alludes to her strong sexual proclivities. To short circuit censorship and to avoid vulgar language, the Wife refers to sex in a variety of ways: “Silly instrument,” “In wifehood I will use my instrument,” “My husband, he shall have it eve and morrow,” “And was unable to deny in truth, My chamber of Venus to a likely youth,” and my favorite stanza:
‘What ails you, man, to grumble so and groan?
Just that you want my what-not all your own?
Why, take it all, man, take it every bit!
St. Peter, what a love you have for it!
For if I were to sell my belle chose,
I could go walking fresher than a rose;
Because in the end we can see that she is half deaf (from a beating), that she is a battered wife, and who despite the violence inflicted to her by her five husbands she only makes fun of her situation in life, one can assume that she suffers from low self-esteem.
To all this, what was Chaucer’s agenda? On first impression it seems that Chaucer is actually using the character of a picturesque woman to prove that women can be lethal to men. On a deeper level one can say that by exposing the husband’s abusive behavior, which in those years was common, he could bring about social change.
The writing techniques I use in this article are all explained in Mary Duffy's writing manual--an indispensable guide:
Augustine, City of God
Austen J, Pride and Prejudice
Austen J, "Marriage Proposals and Me"
Austen J, Emma
Borges, The Aleph
C. Bronte, Jane Eyre
Cervantes, Don Quijote
Chaucer, Wife of Bath
Coelho P,The Alchemist
Coyle H, They Are Soldiers
Dante, New Life
Dickens C, David Copperfield
ConanDoyle,Hound of Baskervilles
Dubner S, Superfreakonomics
DuMaurier D, Rebecca
Ellis B. E. American Psycho
Fitzgerald S, Great Gatsby
Flaubert G, Madame Bovary
Fleming I,Doctor No
Freud S, Leonardo Da Vinci
Friedan B, Feminine Mystique
GarciaMarquez, Of Love & OtherDemons
Guerrero M,ThePoison Pill
Grass G, The Tin Drum
Harris T, Hannibal Rising
Heidegger M,House of Being
Ishiguro K, Remains of The Day
Kosinski J, The Painted Bird
Lee H,To Kill a Mockingbird
McBain Ed,Gutter and Grave
Murakami H,Wind-Up Bird Chronicle
Nabokov V, Lolita
Meyer, S, Twilight
Ortega,Dehumanization of Art
Poe E A, Gordon Pym
Prose F, Reading Like a Writer
Rushdie S,Midnight Children
Sabatini R, Scaramouche
Spark M, Prime of Miss Brodie
Stendhal, Red and Black
Sterne L,Tristram Shandy
Stevenson R, Dr.Jekyll & Mr.Hyde
Stoker B, Dracula
Thackeray W,History of Pendennis
Tolstoy L, Anna Karenina
Trollope A, Autobiography
Unamuno M, Tragic Sense of Life
Webb J, Fields of Fire
Wharton E, The House of Mirth
Woolf V, To The Lighhouse